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In 1648 a contemporary writer noted that Willem Claesz Heda was a specialist in breakfast and banquet still lifes, painting "fruit, and all kinds of knick-knacks." At first sight, Heda's largest known still-life painting appears to welcome the viewer to a sumptuous feast. Yet pewter plates teeter precariously over the table's edge, while a translucent goblet and a silver tazza have toppled over, indicating that the feast has already been enjoyed. A number of objects in the painting hint at the transience of worldly existence. For example, the snuffed-out candle and the iron candle snuffer symbolize the abruptness by which life can end.

Banquet Piece with Mince Pie

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Banquet Piece with Mince Pie Poster
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Banquet Piece with Mince Pie Art Print
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Banquet Piece with Mince Pie Art Print
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Banquet Piece with Mince Pie Art Print
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Banquet Piece with Mince Pie Canvas Print
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Banquet Piece with Mince Pie Canvas Framed Print
Framed • 12x12 inches

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Banquet Piece with Mince Pie Canvas Print
Wrapped • 12x12 inches

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Banquet Piece with Mince Pie Canvas Print
Rolled • 18x18 inches

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Medium Size

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Banquet Piece with Mince Pie Canvas Print
Rolled • 24x23 inches

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Compact Size

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Banquet Piece with Mince Pie Canvas Print
Wrapped • 18x18 inches

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Banquet Piece with Mince Pie Canvas Framed Print
Framed • 18x18 inches

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Large Size

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Banquet Piece with Mince Pie Canvas Print
Rolled • 30x29 inches

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Medium Size

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Banquet Piece with Mince Pie Canvas Print
Wrapped • 24x23 inches

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Medium Size

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Banquet Piece with Mince Pie Canvas Framed Print
Framed • 24x23 inches

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Large Size

Large Size

Banquet Piece with Mince Pie Canvas Print
Wrapped • 30x29 inches

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Large Size

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Banquet Piece with Mince Pie Canvas Framed Print
Framed • 30x29 inches

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Banquet Piece with Mince Pie Framed Print
Framed with Mat • 12x12 inches

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Banquet Piece with Mince Pie Framed Print
Framed with Mat • 18x18 inches

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Medium Size

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Banquet Piece with Mince Pie Framed Print
Framed with Mat • 24x23 inches

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Banquet Piece with Mince Pie Framed Print
Framed with Mat • 30x29 inches

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Banquet Piece with Mince Pie Poster
Rolled • Life Size 24X33 inches

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Banquet Piece with Mince Pie Poster
Framed • Life Size 24X33 inches

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Banquet Piece with Mince Pie Large Canvas Print
Rolled • 36x35 inches

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Banquet Piece with Mince Pie Large Canvas Print
Wrapped • 36x35 inches

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Banquet Piece with Mince Pie Canvas Framed Print
Framed • 36x35 inches

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Banquet Piece with Mince Pie Large Framed Print
Framed With Mat • 36x35 inches

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In 1648 a contemporary writer noted that Willem Claesz Heda was a specialist in breakfast and banquet still lifes, painting "fruit, and all kinds of knick-knacks." At first sight, Heda's largest known still-life painting appears to welcome the viewer to a sumptuous feast. Yet pewter plates teeter precariously over the table's edge, while a translucent goblet and a silver tazza have toppled over, indicating that the feast has already been enjoyed. A number of objects in the painting hint at the transience of worldly existence. For example, the snuffed-out candle and the iron candle snuffer symbolize the abruptness by which life can end.

Willem Claeszoon Heda (December 14, 1593/1594 – c. 1680/1682) was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still lifes. He is known for his innovation of the late breakfast genre of still life painting. As one of the most recognized Dutch masters and one of the signature artists of the still life genre, his paintings feature in general surveys of art history as some of the highlights of Dutch seventeenth-century painting. His pupils include Maerten Boelema de Stomme, Gerret Willemsz Heda, Hendrik Heerschop, and Arnold van Beresteijn.


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