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The practice of free love by the bohemians of Christiania, advocated by Jaeger as suited to an anarchist society, led to a good deal of jealousy. Among those who aroused it was Oda Krohg (wife of the painter Christian Krohg), who became, to borrow Tom Lehrer's phraseology, the hypotenuse of a triangle involving her husband and Jappe Nilssen, a young journalist who was a friend of Munch. His jealousy inspired this symbolic composition which Munch painted in several versions under various titles: Jealousy, and Melancholy.

Melancholy – Edvard Munch Painting

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Melancholy – Edvard Munch Painting Poster
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Melancholy – Edvard Munch Painting Poster
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Melancholy – Edvard Munch Painting A
r • t - 16x16 inches

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m • a - 16x16 inches

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P • R - 16x16 inches

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Melancholy – Edvard Munch Painting Canvas Print
Rolled • 12x12 inches

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Melancholy – Edvard Munch Painting Canvas Print
Wrapped • 12x12 inches

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Melancholy – Edvard Munch Painting Canvas Framed Print
Framed • 12x12 inches

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The practice of free love by the bohemians of Christiania, advocated by Jaeger as suited to an anarchist society, led to a good deal of jealousy. Among those who aroused it was Oda Krohg (wife of the painter Christian Krohg), who became, to borrow Tom Lehrer's phraseology, the hypotenuse of a triangle involving her husband and Jappe Nilssen, a young journalist who was a friend of Munch. His jealousy inspired this symbolic composition which Munch painted in several versions under various titles: Jealousy, and Melancholy.

Edvard Munch (1863 – 1944)  was a Norwegian painter who played a great role in late 19th-century Symbolism.  The paintings he made focused on the internal view of the objects, as he believed that art should reflect an emotion or idea rather than represent the natural world in the objective. Munch explored the themes of love, fear, death, melancholia and anxiety via his paintings.

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