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Frida collected many blouses, huipiles, from different regions throughout the country, including several Mayan-style ones from the Yucatán. She also used to wear the rabona, an everyday printed skirt, as well as the more elaborate enagua de holán, the embroidered ruffled skirt from the Isthmus of Tehuantepec.

 

Many contemporary photographs also show Frida wearing a rebozo, the traditional Mexican scarf. She wore the long, rectangular scarf wrapped around her or tied in her hair, and painted herself with it in many of her paintings.

Self-portrait With Red And Gold Dress,1941- Frida Kahlo

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Frida collected many blouses, huipiles, from different regions throughout the country, including several Mayan-style ones from the Yucatán. She also used to wear the rabona, an everyday printed skirt, as well as the more elaborate enagua de holán, the embroidered ruffled skirt from the Isthmus of Tehuantepec.   Many contemporary photographs also show Frida wearing a rebozo, the traditional Mexican scarf. She wore the long, rectangular scarf wrapped around her or tied in her hair, and painted herself with it in many of her paintings.

Frida Kahlo de Rivera was a Mexican painter, who mostly painted self-portraits. Inspired by Mexican popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society.     Kahlo's paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicanidad movement, which sought to define a Mexican identity, Kahlo has been described as a Surrealist or magical realist. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for what is seen as its uncompromising depiction of the female experience and form.

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