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In his influential treatise, Concerning the Spiritual in Art, Kandinsky theorized a new form of artistic expression that would reject the materialist world in favor of emotional and spiritual ideals, using abstract forms and color symbolism to evoke an inner, preconscious world.

 

Composed of dark lines and abstract colorful masses, Improvisation 27 depicts three iterations of an embracing couple surrounded by serpentine forms. Kandinsky hints at the painting’s possible subject in the subtitle "Garden of Love II," likely a reference to biblical Eden.

Improvisation 27 (Garden of Love II)

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Improvisation 27 (Garden of Love II) Poster
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Improvisation 27 (Garden of Love II) Art Print
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Improvisation 27 (Garden of Love II) Art Print
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Improvisation 27 (Garden of Love II) Art Print
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Improvisation 27 (Garden of Love II) Art Print
Rolled • 30x26 inches

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Improvisation 27 (Garden of Love II) Canvas Print
Rolled • 12x10 inches

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Improvisation 27 (Garden of Love II) Canvas Print
Wrapped • 12x10 inches

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Improvisation 27 (Garden of Love II) Canvas Framed Print
Framed • 12x10 inches

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Improvisation 27 (Garden of Love II) Canvas Print
Rolled • 18x16 inches

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Medium Size

Medium Size

Improvisation 27 (Garden of Love II) Canvas Print
Rolled • 24x21 inches

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Compact Size

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Improvisation 27 (Garden of Love II) Canvas Print
Wrapped • 18x16 inches

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Compact Size

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Improvisation 27 (Garden of Love II) Canvas Framed Print
Framed • 18x16 inches

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Large Size

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Improvisation 27 (Garden of Love II) Canvas Print
Rolled • 30x26 inches

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Medium Size

Medium Size

Improvisation 27 (Garden of Love II) Canvas Print
Wrapped • 24x21 inches

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Medium Size

Medium Size

Improvisation 27 (Garden of Love II) Canvas Framed Print
Framed • 24x21 inches

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Large Size

Large Size

Improvisation 27 (Garden of Love II) Canvas Print
Wrapped • 30x26 inches

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Improvisation 27 (Garden of Love II) Canvas Framed Print
Framed • 30x26 inches

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Improvisation 27 (Garden of Love II) Framed Print
Framed with Mat • 12x10 inches

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Improvisation 27 (Garden of Love II) Framed Print
Framed with Mat • 18x16 inches

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Improvisation 27 (Garden of Love II) Framed Print
Framed with Mat • 24x21 inches

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Improvisation 27 (Garden of Love II) Framed Print
Framed with Mat • 30x26 inches

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Improvisation 27 (Garden of Love II) Poster
Rolled • Life Size 24X33 inches

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Improvisation 27 (Garden of Love II) Poster
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Improvisation 27 (Garden of Love II) Large Canvas Print
Rolled • 36x31 inches

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Improvisation 27 (Garden of Love II) Large Canvas Print
Rolled • 42x36 inches

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Improvisation 27 (Garden of Love II) Large Canvas Print
Wrapped • 36x31 inches

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Improvisation 27 (Garden of Love II) Large Canvas Print
Wrapped • 42x36 inches

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Improvisation 27 (Garden of Love II) Large Framed Print
Framed With Mat • 36x31 inches

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Improvisation 27 (Garden of Love II) Large Framed Print
Framed With Mat • 42x36 inches

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In his influential treatise, Concerning the Spiritual in Art, Kandinsky theorized a new form of artistic expression that would reject the materialist world in favor of emotional and spiritual ideals, using abstract forms and color symbolism to evoke an inner, preconscious world.   Composed of dark lines and abstract colorful masses, Improvisation 27 depicts three iterations of an embracing couple surrounded by serpentine forms. Kandinsky hints at the painting’s possible subject in the subtitle "Garden of Love II," likely a reference to biblical Eden.

Kandinsky (1866 – 1944) was a Russian painter and art theorist. Art and sound were one and the same to him, because it is believed he had synaesthesia—a harmless condition that allowed him to appreciate two or more senses simultaneously.   Kandinsky could not only see the color blue, he could hear it—he associated colors and tones with specific musical timbres. Part of his goal as an artist was to depict and share his synaesthetic experiences. The result is a painting that is complex and visually stimulating, with color combinations that reverberate.


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