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A courtesan stands on the verandah of an establishment identified as the Ibaraki-ya on the noren (split curtain) to her left. She engages a young man by holding the tip of his umbrella suggestively, her other hand is hidden within the sleeve of her kimono which she wraps around the pillar of the porch. He pauses, his body in a forward motion but he turns his head back towards the beauty. The wisp of hair that has come lose from her comb suggest that she is attempting to detain a customer with whom she has already exchanged relations. The name of the house, Ibaraki-ya, is clear reference to the legend of warrior Watanabe no Tsuna (953-1025) and his encounter with the demoness Ibaraki who was menacing innocents at the Rashomon gateway located at the southern entrance to the city of Kyoto. In the story, Watanabe no Tsuna confronts the demoness on a rainy night, but only manages to cut off her arm which he saves as a prize, locking it away in a chest. Later, Ibaraki disguises herself as his own aunt and manages to talk her way into his home in order to reclaim her arm.

Art By Suzuki Harunobu
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A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting

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A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Poster
Rolled • - 12x17 inches

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Small Size

Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Poster
Framed • - 12x17 inches

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Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Art Print
Rolled • 9x12 inches

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A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Art Print
Rolled • 13x18 inches

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A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Art Print
Rolled • 18x24 inches

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A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Art Print
Rolled • 22x30 inches

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Small Size

Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Rolled • 9x12 inches

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Compact Size

Compact Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Rolled • 13x18 inches

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Medium Size

Medium Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Rolled • 18x24 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Rolled • 22x30 inches

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Small Size

Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Wrapped • 9x12 inches

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Compact Size

Compact Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Wrapped • 13x18 inches

Buy now for

Medium Size

Medium Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Wrapped • 18x24 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Print
Wrapped • 22x30 inches

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Small Size

Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Framed Print
Framed • 9x12 inches

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Compact Size

Compact Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Framed Print
Framed • 13x18 inches

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Medium Size

Medium Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Framed Print
Framed • 18x24 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Canvas Framed Print
Framed • 22x30 inches

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Small Size

Small Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Framed Print
Framed With Mat • 9x12 inches

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Compact Size

Compact Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Framed Print
Framed With Mat • 13x18 inches

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Medium Size

Medium Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Framed Print
Framed With Mat • 18x24 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Framed Print
Framed With Mat • 22x30 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Poster
Rolled • 24x30 inches

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Large Size

Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Poster
Framed • 24x30 inches

Not available

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X-Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Large Canvas Print
Rolled • 27x36 inches

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X-Large Size

X-Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Large Canvas Print
Wrapped • 27x36 inches

Not available

X-Large Size

X-Large Size

A Courtesan Of The Ibarakiya Brothel Coaxing Her Client To Stay - Suzuki Harunobu - Japanese Woodblock Mitate-e Painting Large Framed Print
Framed With Mat • 27x36 inches

Not available

A courtesan stands on the verandah of an establishment identified as the Ibaraki-ya on the noren (split curtain) to her left. She engages a young man by holding the tip of his umbrella suggestively, her other hand is hidden within the sleeve of her kimono which she wraps around the pillar of the porch. He pauses, his body in a forward motion but he turns his head back towards the beauty. The wisp of hair that has come lose from her comb suggest that she is attempting to detain a customer with whom she has already exchanged relations. The name of the house, Ibaraki-ya, is clear reference to the legend of warrior Watanabe no Tsuna (953-1025) and his encounter with the demoness Ibaraki who was menacing innocents at the Rashomon gateway located at the southern entrance to the city of Kyoto. In the story, Watanabe no Tsuna confronts the demoness on a rainy night, but only manages to cut off her arm which he saves as a prize, locking it away in a chest. Later, Ibaraki disguises herself as his own aunt and manages to talk her way into his home in order to reclaim her arm.

Suzuki Harunobu (1724 - 1770) was a Japanese designer of woodblock print art in the ukiyo-e style.   He was an innovator, the first to produce full-color (nishiki-e) prints in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.

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