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“Still Life with Gingerpot II” by Piet Mondrian a Dutch painter that revolutionized the history of art through his cubistic works which are characterized through his use of red, yellow and blue in his paintings. Still Life with Gingerpot II takes the artist’s first depiction of this motif to a much greater level of abstraction. The grid framework now interpolates the objects on the tabletop, and no vestiges of the glassware, stacked canvases, or window frame of the earlier composition remain. Mondrian’s works of this period are characterized by a strong central motif (here the gingerpot) around which the rest of the picture revolves in a symmetrical fashion. While in later paintings Mondrian developed a more dispersed field, his overarching concern for balance and order remained constant. |
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Still Life with Gingerpot II Large Framed Print
Framed With Mat •
36x27 inches
Still Life with Gingerpot II Large Framed Print
Framed With Mat •
48x36 inches
“Still Life with Gingerpot II” by Piet Mondrian a Dutch painter that revolutionized the history of art through his cubistic works which are characterized through his use of red, yellow and blue in his paintings. Still Life with Gingerpot II takes the artist’s first depiction of this motif to a much greater level of abstraction. The grid framework now interpolates the objects on the tabletop, and no vestiges of the glassware, stacked canvases, or window frame of the earlier composition remain. Mondrian’s works of this period are characterized by a strong central motif (here the gingerpot) around which the rest of the picture revolves in a symmetrical fashion. While in later paintings Mondrian developed a more dispersed field, his overarching concern for balance and order remained constant.
Piet Mondrian (7 March 1872 – 1 February 1944), was a Dutch painter. He was a contributor to the De Stijl art movement and group. Mondrian evolved a non-representational form which he termed neoplasticism.
This consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors.
Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.
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