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How does one depict the idea that God is within, and without, us, in a painting?

Perhaps the best answer to this question comes from this painting – the Three Aspects of the Absolute, from the Shri Nath Charit, the definitive text of the Nath yogis or ascetics.

In 1823, the painter - Bulaki achieves this through a triptych.

The first shows a shimmering sea of yellow-gold, meant to depict the formless Absolute itself, eternal and ‘self-luminous.’ The second shows a siddha or a self-realized Nath yogic master, the Absolute in human form, floating in the nothingness of cosmic divinity, a glowing halo around him, and the third is the ‘grounding’ so to speak, of the master, a connection of earth, as shown in the grey ground in which he is now located, the appearance as it were of human consciousness.

The yellow-golden, shimmering divine consciousness flows from one panel to another in a sweep that suggests the idea of divine omniscience.

This painting is perhaps one of the most evolved artistic expressions of the idea of God.

Art By Bulaki
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Poster
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Poster
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Art Print
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Art Print
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Art Print
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Art Print
Rolled • 30x11 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Rolled • 12x5 inches

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Compact Size

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Rolled • 18x7 inches

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Medium Size

Medium Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Rolled • 24x9 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Wrapped • 12x5 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Framed Print
Framed • 12x5 inches

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Large Size

Large Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Rolled • 30x11 inches

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Compact Size

Compact Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Wrapped • 18x7 inches

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Compact Size

Compact Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Framed Print
Framed • 18x7 inches

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Medium Size

Medium Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Wrapped • 24x9 inches

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Medium Size

Medium Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Framed Print
Framed • 24x9 inches

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Large Size

Large Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Print
Wrapped • 30x11 inches

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Large Size

Large Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Canvas Framed Print
Framed • 30x11 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Framed Print
Framed with Mat • 12x5 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Framed Print
Framed with Mat • 18x7 inches

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Medium Size

Medium Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Framed Print
Framed with Mat • 24x9 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Framed Print
Framed with Mat • 30x11 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Poster
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Poster
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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Rolled • 36x14 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Rolled • 18x48 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Wrapped • 36x14 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Rolled • 24x60 inches

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XX-Large Size

XX-Large Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Wrapped • 18x48 inches

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Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Framed Print
Framed With Mat • 36x14 inches

Not available

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XX-Large Size

XX-Large Size

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Framed Print
Framed With Mat • 18x48 inches

Not available

Oversize

Oversize

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Canvas Print
Wrapped • 24x60 inches

Not available

Oversize

Oversize

Three Aspects Of The Absolute From A Manuscript Of The Nath Charit, 1823 Large Framed Print
Framed With Mat • 24x60 inches

Not available

How does one depict the idea that God is within, and without, us, in a painting? Perhaps the best answer to this question comes from this painting – the Three Aspects of the Absolute, from the Shri Nath Charit, the definitive text of the Nath yogis or ascetics. In 1823, the painter - Bulaki achieves this through a triptych. The first shows a shimmering sea of yellow-gold, meant to depict the formless Absolute itself, eternal and ‘self-luminous.’ The second shows a siddha or a self-realized Nath yogic master, the Absolute in human form, floating in the nothingness of cosmic divinity, a glowing halo around him, and the third is the ‘grounding’ so to speak, of the master, a connection of earth, as shown in the grey ground in which he is now located, the appearance as it were of human consciousness. The yellow-golden, shimmering divine consciousness flows from one panel to another in a sweep that suggests the idea of divine omniscience. This painting is perhaps one of the most evolved artistic expressions of the idea of God.

Bulaki tackled the concept of a formless, timeless, and luminous essence, which is the basis of the universe in many Hindu traditions. Bulaki portrayed the emergence of all matter and being sequentially by dividing the page into three panels, first on the left representing the absolute as a field of solid, unmodulated gold, a minimal abstraction unprecedented in Indian art.   The second phase conveys bliss—shown as a Nath yogi—and is the first manifestation of the universe as form (or matter). The third stage of creation is vast, cosmic waters, which Bulaki depicted as a silver river flowing from the body of a Nath yogi.

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