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Bridle Path shows three riders on horseback approaching the West 72nd Street entrance to Central Park in New York City. A large building is seen above the hillside towering over the three riders - two women and a man. The riders are dressed in modern 1930s riding garb and appear to be galloping toward the dark tunnel.

 

The man leans back and his horse's head rears up, slowing the gallop as they approach the tunnel. Outwardly Hopper's life was extremely stable, free of any turmoil. Once he had found himself as an artist, his life was dominated by his career and rarely touched by the society around him. Nevertheless, from his distanced vantage point, Hopper remained an acute observer of his times and its art movements, a wealth of experience that is reflected in his works.

 

Hopper was born in 1882 in Nyack, a small port on the Hudson River several miles north of New York City. The East Coast left such a strong impression on him that he can be regarded as a prototype of this culture.

Art By Edward Hopper
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Bridle Path, 1939 - Edward Hopper

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Bridle Path, 1939 - Edward Hopper Poster
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Bridle Path, 1939 - Edward Hopper Art Print
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Bridle Path, 1939 - Edward Hopper Art Print
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Bridle Path, 1939 - Edward Hopper Canvas Print
Rolled • 12x8 inches

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Bridle Path, 1939 - Edward Hopper Canvas Print
Rolled • 18x12 inches

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Small Size

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Bridle Path, 1939 - Edward Hopper Canvas Framed Print
Framed • 12x8 inches

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Bridle Path, 1939 - Edward Hopper Canvas Print
Wrapped • 12x8 inches

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Medium Size

Medium Size

Bridle Path, 1939 - Edward Hopper Canvas Print
Rolled • 24x16 inches

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Compact Size

Compact Size

Bridle Path, 1939 - Edward Hopper Canvas Print
Wrapped • 18x12 inches

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Compact Size

Compact Size

Bridle Path, 1939 - Edward Hopper Canvas Framed Print
Framed • 18x12 inches

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BEST SELLER
Large Size

Large Size

Bridle Path, 1939 - Edward Hopper Canvas Print
Rolled • 30x20 inches

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Medium Size

Medium Size

Bridle Path, 1939 - Edward Hopper Canvas Print
Wrapped • 24x16 inches

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Medium Size

Medium Size

Bridle Path, 1939 - Edward Hopper Canvas Framed Print
Framed • 24x16 inches

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BEST SELLER
Large Size

Large Size

Bridle Path, 1939 - Edward Hopper Canvas Print
Wrapped • 30x20 inches

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Large Size

Large Size

Bridle Path, 1939 - Edward Hopper Canvas Framed Print
Framed • 30x20 inches

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Bridle Path, 1939 - Edward Hopper Framed Print
Framed with Mat • 12x8 inches

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Bridle Path, 1939 - Edward Hopper Framed Print
Framed with Mat • 18x12 inches

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Bridle Path, 1939 - Edward Hopper Framed Print
Framed with Mat • 24x16 inches

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Bridle Path, 1939 - Edward Hopper Framed Print
Framed with Mat • 30x20 inches

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Bridle Path, 1939 - Edward Hopper Poster
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Bridle Path, 1939 - Edward Hopper Poster
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Bridle Path, 1939 - Edward Hopper Large Canvas Print
Rolled • 36x24 inches

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Bridle Path, 1939 - Edward Hopper Large Canvas Print
Wrapped • 36x24 inches

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Bridle Path, 1939 - Edward Hopper Large Canvas Print
Rolled • 53x36 inches

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Bridle Path, 1939 - Edward Hopper Large Framed Print
Framed With Mat • 36x24 inches

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Bridle Path, 1939 - Edward Hopper Large Canvas Print
Wrapped • 53x36 inches

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Bridle Path, 1939 - Edward Hopper Large Framed Print
Framed With Mat • 53x36 inches

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Bridle Path shows three riders on horseback approaching the West 72nd Street entrance to Central Park in New York City. A large building is seen above the hillside towering over the three riders - two women and a man. The riders are dressed in modern 1930s riding garb and appear to be galloping toward the dark tunnel.   The man leans back and his horse's head rears up, slowing the gallop as they approach the tunnel. Outwardly Hopper's life was extremely stable, free of any turmoil. Once he had found himself as an artist, his life was dominated by his career and rarely touched by the society around him. Nevertheless, from his distanced vantage point, Hopper remained an acute observer of his times and its art movements, a wealth of experience that is reflected in his works.   Hopper was born in 1882 in Nyack, a small port on the Hudson River several miles north of New York City. The East Coast left such a strong impression on him that he can be regarded as a prototype of this culture.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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