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The loneliness of the modern city is a central theme in Hopper’s work. In this painting, a woman sits on the edge of a bed in an anonymous hotel room. It is night and she is tired. She has taken off her hat, dress and shoes, and—too exhausted to unpack—she is checking the time of her train the next day.

 

The space is confined by the wall in the foreground and the chest of drawers on the right; while the long diagonal line of the bed directs our gaze to the background, where an open window turns the viewer into a voyeur on what is happening in the room. The female figure, sunk in her own thoughts, contrasts with the coldness of the room, whose sharp lines and bright, flat colours are heightened by strong artificial lighting from above.

Hotel Room, 1931

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Hotel Room, 1931 Poster
Rolled • - 17x12 inches

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Hotel Room, 1931 Poster
Framed • - 17x12 inches

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Hotel Room, 1931 Art Print
Rolled • 12x11 inches

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Hotel Room, 1931 Art Print
Rolled • 18x16 inches

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Hotel Room, 1931 Art Print
Rolled • 24x22 inches

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Hotel Room, 1931 Art Print
Rolled • 30x27 inches

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Small Size

Hotel Room, 1931 Canvas Print
Rolled • 12x11 inches

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Compact Size

Compact Size

Hotel Room, 1931 Canvas Print
Rolled • 18x16 inches

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Medium Size

Medium Size

Hotel Room, 1931 Canvas Print
Rolled • 24x22 inches

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Large Size

Large Size

Hotel Room, 1931 Canvas Print
Rolled • 30x27 inches

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Small Size

Small Size

Hotel Room, 1931 Canvas Print
Wrapped • 12x11 inches

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Compact Size

Compact Size

Hotel Room, 1931 Canvas Print
Wrapped • 18x16 inches

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Medium Size

Medium Size

Hotel Room, 1931 Canvas Print
Wrapped • 24x22 inches

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Large Size

Large Size

Hotel Room, 1931 Canvas Print
Wrapped • 30x27 inches

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Small Size

Small Size

Hotel Room, 1931 Canvas Framed Print
Framed • 12x11 inches

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Compact Size

Compact Size

Hotel Room, 1931 Canvas Framed Print
Framed • 18x16 inches

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Medium Size

Medium Size

Hotel Room, 1931 Canvas Framed Print
Framed • 24x22 inches

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Large Size

Large Size

Hotel Room, 1931 Canvas Framed Print
Framed • 30x27 inches

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Small Size

Small Size

Hotel Room, 1931 Framed Print
Framed With Mat • 12x11 inches

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Compact Size

Compact Size

Hotel Room, 1931 Framed Print
Framed With Mat • 18x16 inches

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Medium Size

Medium Size

Hotel Room, 1931 Framed Print
Framed With Mat • 24x22 inches

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Large Size

Large Size

Hotel Room, 1931 Framed Print
Framed With Mat • 30x27 inches

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Large Size

Large Size

Hotel Room, 1931 Poster
Rolled • 30x24 inches

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Large Size

Large Size

Hotel Room, 1931 Poster
Framed • 30x24 inches

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X-Large Size

X-Large Size

Hotel Room, 1931 Large Canvas Print
Rolled • 36x33 inches

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XX-Large Size

XX-Large Size

Hotel Room, 1931 Large Canvas Print
Rolled • 40x36 inches

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X-Large Size

X-Large Size

Hotel Room, 1931 Large Canvas Print
Wrapped • 36x33 inches

Not available

XX-Large Size

XX-Large Size

Hotel Room, 1931 Large Canvas Print
Wrapped • 40x36 inches

Not available

X-Large Size

X-Large Size

Hotel Room, 1931 Large Framed Print
Framed With Mat • 36x33 inches

Not available

XX-Large Size

XX-Large Size

Hotel Room, 1931 Large Framed Print
Framed With Mat • 40x36 inches

Not available

The loneliness of the modern city is a central theme in Hopper’s work. In this painting, a woman sits on the edge of a bed in an anonymous hotel room. It is night and she is tired. She has taken off her hat, dress and shoes, and—too exhausted to unpack—she is checking the time of her train the next day.   The space is confined by the wall in the foreground and the chest of drawers on the right; while the long diagonal line of the bed directs our gaze to the background, where an open window turns the viewer into a voyeur on what is happening in the room. The female figure, sunk in her own thoughts, contrasts with the coldness of the room, whose sharp lines and bright, flat colours are heightened by strong artificial lighting from above.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.


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