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In the late 1940s, Henri Matisse turned almost exclusively to cut paper as his primary medium, and scissors as his chief implement, introducing a radically new operation that came to be called a cut-out.

 

Matisse would cut painted sheets into forms of varying shapes and sizes—from the vegetal to the abstract—which he then arranged into lively compositions, striking for their play with color and contrast, their exploitation of decorative strategies, and their economy of means. Initially, these compositions were of modest size but, over time, their scale grew along with Matisse’s ambitions for them, expanding into mural or room-size works.

 

A brilliant final chapter in Matisse’s long career, the cut-outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these.

The Snail (L'Escargot) – Henri Matisse Painting

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The Snail (L'Escargot) – Henri Matisse Painting Poster
Rolled • 12x12 inches

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Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Poster
Framed • 12x12 inches

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Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Art Print
Rolled • 12x12 inches

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Compact Size

Compact Size

The Snail (L'Escargot) – Henri Matisse Painting Art Print
Rolled • 18x18 inches

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Medium Size

Medium Size

The Snail (L'Escargot) – Henri Matisse Painting Art Print
Rolled • 24x24 inches

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Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Art Print
Rolled • 30x30 inches

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Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Rolled • 12x12 inches

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Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Wrapped • 12x12 inches

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Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Framed Print
Framed • 12x12 inches

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Compact Size

Compact Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Rolled • 18x18 inches

Buy now for

Medium Size

Medium Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Rolled • 24x24 inches

Buy now for

Compact Size

Compact Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Wrapped • 18x18 inches

Buy now for

Compact Size

Compact Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Framed Print
Framed • 18x18 inches

Buy now for

BEST SELLER
Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Rolled • 30x30 inches

Buy now for

Medium Size

Medium Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Wrapped • 24x24 inches

Buy now for

Medium Size

Medium Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Framed Print
Framed • 24x24 inches

Buy now for

BEST SELLER
Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Print
Wrapped • 30x30 inches

Not available

BEST SELLER
Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Canvas Framed Print
Framed • 30x30 inches

Not available

Small Size

Small Size

The Snail (L'Escargot) – Henri Matisse Painting Framed Print
Framed with Mat • 12x12 inches

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Compact Size

Compact Size

The Snail (L'Escargot) – Henri Matisse Painting Framed Print
Framed with Mat • 18x18 inches

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Medium Size

Medium Size

The Snail (L'Escargot) – Henri Matisse Painting Framed Print
Framed with Mat • 24x24 inches

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Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Framed Print
Framed with Mat • 30x30 inches

Not available

Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Poster
Rolled • Life Size 24X33 inches

Not available

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Large Size

Large Size

The Snail (L'Escargot) – Henri Matisse Painting Poster
Framed • Life Size 24X33 inches

Not available

In the late 1940s, Henri Matisse turned almost exclusively to cut paper as his primary medium, and scissors as his chief implement, introducing a radically new operation that came to be called a cut-out.   Matisse would cut painted sheets into forms of varying shapes and sizes—from the vegetal to the abstract—which he then arranged into lively compositions, striking for their play with color and contrast, their exploitation of decorative strategies, and their economy of means. Initially, these compositions were of modest size but, over time, their scale grew along with Matisse’s ambitions for them, expanding into mural or room-size works.   A brilliant final chapter in Matisse’s long career, the cut-outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these.

Widely regarded as the greatest colourist and along with Picasso, as one of the artists who best helped to define and influence radical contemporary art in the 20th century, Henri-Emile-Benoit Matisse (1869-1954) was known for both his excellent use of colour and form of his Fauvist style.   Matisse's art continues to beguile not only artists, but also collectors and as several recent and upcoming blockbuster exhibitions suggest, he continues to be a favourite of the public worldwide.

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