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Renoir made a stop in Venice in late October 1881. His Venetian canvases focus primarily on famous sites. Here, Renoir depicts the domes of the Cathedral of San Marco gleaming in the midday sun. This painting was left in a sketch-like state without any studio reworking. Executed in a typically Impressionist technique, the canvas is loosely covered with bold, hurriedly applied strokes of bright, unmixed colors. Simple daubs of paint depict the light falling across the church's façade, as well as the people and fluttering pigeons on the piazza. |
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The Piazza San Marco, Venice Large Framed Print
Framed With Mat •
36x29 inches
The Piazza San Marco, Venice Large Framed Print
Framed With Mat •
45x36 inches
The Piazza San Marco, Venice Large Framed Print
Framed With Mat •
59x48 inches
Renoir made a stop in Venice in late October 1881. His Venetian canvases focus primarily on famous sites. Here, Renoir depicts the domes of the Cathedral of San Marco gleaming in the midday sun. This painting was left in a sketch-like state without any studio reworking. Executed in a typically Impressionist technique, the canvas is loosely covered with bold, hurriedly applied strokes of bright, unmixed colors. Simple daubs of paint depict the light falling across the church's façade, as well as the people and fluttering pigeons on the piazza.
Pierre-Auguste Renoir (1841 – 1919), a French artist, was a leading painter in the development of the Impressionist style.He enjoyed depicting his friends and lovers with expressive candor, conveying a youthful exuberance and intimate charmAnd such as a celebrator of beauty, especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau".
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