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Mondrian’s interest lay in the abstract quality of line but by 1914 he had all but eliminated the curved line from his work. By 1916 he had suppressed any sense of a subject. Still later he developed a new form of rigorous abstraction called Neo-Plasticism in which he limited himself to straight, horizontal and vertical lines and basic primary colours. Typically his compositions were not symmetrical but could scarcely be purer in their elements. He felt this art reflected a greater, universal truth beyond everyday appearance.

Composition with Yellow, Blue and Red, 1937

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Composition with Yellow, Blue and Red, 1937 Poster
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Composition with Yellow, Blue and Red, 1937 Poster
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Composition with Yellow, Blue and Red, 1937 Art Print
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Composition with Yellow, Blue and Red, 1937 Art Print
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Composition with Yellow, Blue and Red, 1937 Art Print
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Composition with Yellow, Blue and Red, 1937 Art Print
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Composition with Yellow, Blue and Red, 1937 Canvas Print
Rolled • 12x12 inches

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Composition with Yellow, Blue and Red, 1937 Canvas Framed Print
Framed • 12x12 inches

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Wrapped • 12x12 inches

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Rolled • 17x18 inches

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Medium Size

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Rolled • 23x24 inches

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Compact Size

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Wrapped • 17x18 inches

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Composition with Yellow, Blue and Red, 1937 Canvas Framed Print
Framed • 17x18 inches

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Large Size

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Rolled • 29x30 inches

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Medium Size

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Composition with Yellow, Blue and Red, 1937 Canvas Print
Wrapped • 23x24 inches

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Medium Size

Medium Size

Composition with Yellow, Blue and Red, 1937 Canvas Framed Print
Framed • 23x24 inches

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Large Size

Large Size

Composition with Yellow, Blue and Red, 1937 Canvas Print
Wrapped • 29x30 inches

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Large Size

Large Size

Composition with Yellow, Blue and Red, 1937 Canvas Framed Print
Framed • 29x30 inches

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Composition with Yellow, Blue and Red, 1937 Framed Print
Framed with Mat • 12x12 inches

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Composition with Yellow, Blue and Red, 1937 Framed Print
Framed with Mat • 17x18 inches

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Medium Size

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Composition with Yellow, Blue and Red, 1937 Framed Print
Framed with Mat • 23x24 inches

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Composition with Yellow, Blue and Red, 1937 Framed Print
Framed with Mat • 29x30 inches

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Composition with Yellow, Blue and Red, 1937 Poster
Rolled • Life Size 24X33 inches

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Composition with Yellow, Blue and Red, 1937 Poster
Framed • Life Size 24X33 inches

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Composition with Yellow, Blue and Red, 1937 Large Canvas Print
Rolled • 35x36 inches

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Composition with Yellow, Blue and Red, 1937 Large Canvas Print
Wrapped • 35x36 inches

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Composition with Yellow, Blue and Red, 1937 Large Framed Print
Framed With Mat • 35x36 inches

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Mondrian’s interest lay in the abstract quality of line but by 1914 he had all but eliminated the curved line from his work. By 1916 he had suppressed any sense of a subject. Still later he developed a new form of rigorous abstraction called Neo-Plasticism in which he limited himself to straight, horizontal and vertical lines and basic primary colours. Typically his compositions were not symmetrical but could scarcely be purer in their elements. He felt this art reflected a greater, universal truth beyond everyday appearance.

Piet Mondrian (7 March 1872 – 1 February 1944), was a Dutch painter. He was a contributor to the De Stijl art movement and group. Mondrian evolved a non-representational form which he termed neoplasticism. This consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors. Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.

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