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“S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Untitled, 1981

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Rolled • 12x17 inches

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Untitled, 1981 Canvas Print
Rolled • 12x12 inches

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Untitled, 1981 Canvas Print
Rolled • 18x18 inches

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Untitled, 1981 Canvas Print
Wrapped • 12x12 inches

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Untitled, 1981 Canvas Framed Print
Framed • 12x12 inches

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Untitled, 1981 Canvas Print
Rolled • 24x24 inches

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Untitled, 1981 Canvas Print
Wrapped • 18x18 inches

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Untitled, 1981 Canvas Framed Print
Framed • 18x18 inches

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Untitled, 1981 Canvas Print
Wrapped • 24x24 inches

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Untitled, 1981 Canvas Framed Print
Framed • 24x24 inches

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Untitled, 1981 Framed Print
Framed with Mat • 12x12 inches

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Untitled, 1981 Framed Print
Framed with Mat • 18x18 inches

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Untitled, 1981 Framed Print
Framed with Mat • 24x24 inches

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Untitled, 1981 Poster
Rolled • Life Size 24X33 inches

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Large Size

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Untitled, 1981 Poster
Framed • Life Size 24X33 inches

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“S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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