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Punch and Judy is a typical scene by L. S. Lowry from 1943, showing a mass of people from all walks of life going about their daily business. As with many of the artist’s works, this scene is depicted in simple colors. Lowry often claimed to use just five colors in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white.

As implied by the print’s title, the background of this scene shows crowds of people gathering to watch the traditional British puppet show ‘Punch and Judy’ that features the characters Mr. Punch and his wife Judy. These puppet booths were iconic features of English seaside resorts and working-class leisure time, and so this subject is apt for Lowry in his depiction of working people on their days off in town. The composition is crammed full of people, providing the print with the frenetic energy of city life. Despite the busy, swarm of people that creates a sense of bustle to the image, like many of Lowry’s works there is a solemn and lonely element to this print. The figures, though in close proximity to one another, seem isolated from one another and from the viewer who looks to the bustling crowd from an elevated distance.

Punch and Judy 2

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Punch and Judy 2 Art Print
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Punch and Judy 2 Art Print
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Punch and Judy 2 Canvas Print
Rolled • 10x12 inches

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Punch and Judy 2 Canvas Print
Rolled • 14x18 inches

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Punch and Judy 2 Canvas Print
Rolled • 19x24 inches

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Punch and Judy 2 Canvas Print
Rolled • 24x30 inches

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Punch and Judy 2 Canvas Print
Wrapped • 10x12 inches

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Compact Size

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Punch and Judy 2 Canvas Print
Wrapped • 14x18 inches

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Medium Size

Medium Size

Punch and Judy 2 Canvas Print
Wrapped • 19x24 inches

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Punch and Judy 2 Canvas Print
Wrapped • 24x30 inches

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Punch and Judy 2 Canvas Framed Print
Framed • 10x12 inches

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Compact Size

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Punch and Judy 2 Canvas Framed Print
Framed • 14x18 inches

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Medium Size

Medium Size

Punch and Judy 2 Canvas Framed Print
Framed • 19x24 inches

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Punch and Judy 2 Canvas Framed Print
Framed • 24x30 inches

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Punch and Judy 2 Framed Print
Framed With Mat • 10x12 inches

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Compact Size

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Punch and Judy 2 Framed Print
Framed With Mat • 14x18 inches

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Medium Size

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Punch and Judy 2 Framed Print
Framed With Mat • 19x24 inches

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Large Size

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Punch and Judy 2 Framed Print
Framed With Mat • 24x30 inches

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Punch and Judy 2 Poster
Rolled • 24x30 inches

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Punch and Judy 2 Poster
Framed • 24x30 inches

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Punch and Judy 2 Large Canvas Print
Rolled • 29x36 inches

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Punch and Judy 2 Large Canvas Print
Rolled • 36x45 inches

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X-Large Size

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Punch and Judy 2 Large Canvas Print
Wrapped • 29x36 inches

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Punch and Judy 2 Large Canvas Print
Wrapped • 36x45 inches

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X-Large Size

X-Large Size

Punch and Judy 2 Large Framed Print
Framed With Mat • 29x36 inches

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XX-Large Size

XX-Large Size

Punch and Judy 2 Large Framed Print
Framed With Mat • 36x45 inches

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Punch and Judy is a typical scene by L. S. Lowry from 1943, showing a mass of people from all walks of life going about their daily business. As with many of the artist’s works, this scene is depicted in simple colors. Lowry often claimed to use just five colors in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white. As implied by the print’s title, the background of this scene shows crowds of people gathering to watch the traditional British puppet show ‘Punch and Judy’ that features the characters Mr. Punch and his wife Judy. These puppet booths were iconic features of English seaside resorts and working-class leisure time, and so this subject is apt for Lowry in his depiction of working people on their days off in town. The composition is crammed full of people, providing the print with the frenetic energy of city life. Despite the busy, swarm of people that creates a sense of bustle to the image, like many of Lowry’s works there is a solemn and lonely element to this print. The figures, though in close proximity to one another, seem isolated from one another and from the viewer who looks to the bustling crowd from an elevated distance.

Laurence Stephen Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. L. S. Lowry developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as "matchstick men". Lowry painted mysterious un-populated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.

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