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Norman Rockwell once said he envied students who swooned when viewing the Mona Lisa because he never felt such passion. Rockwell may have seen himself as a more analytical artist, such as the one examining a seventeenth-century Dutch painting in his 1955 Art Critic. His original draft depicts a student studying painter Frans Hals' technique in a portrait of a Dutch housewife. In that study, a Dutch landscape on an adjacent wall places the student in a gallery of Dutch artwork. But a recurring Rockwell theme - of reality and fantasy exchanging placesm - seems to have taken over and the painting changed course.

 

With typical humor, Rockwell replaces the homely woman with one more alluring - based on a Peter Paul Rubens' portrait of his wife. The Dutch landscape became a group of Dutch cavaliers, brought to life by animated facial expressions. They are wary and concerned. Is the student getting too close to the painting? Is he being too personal with their gallery colleague? The scene's movement from reality to fantasy refutes the view that Rockwell's work is only photographic.

Art By Norman Rockwell
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Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I)

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Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Poster
Rolled • - 12x17 inches

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Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Poster
Framed • - 12x17 inches

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Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Art Print
Rolled • 8x12 inches

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Compact Size

Compact Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Art Print
Rolled • 12x18 inches

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Medium Size

Medium Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Art Print
Rolled • 16x24 inches

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Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Art Print
Rolled • 20x30 inches

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Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Rolled • 8x12 inches

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Compact Size

Compact Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Rolled • 12x18 inches

Buy now for

Medium Size

Medium Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Rolled • 16x24 inches

Buy now for

Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Rolled • 20x30 inches

Buy now for

Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Wrapped • 8x12 inches

Buy now for

Compact Size

Compact Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Wrapped • 12x18 inches

Buy now for

Medium Size

Medium Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Wrapped • 16x24 inches

Buy now for

Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Print
Wrapped • 20x30 inches

Not available

Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Framed Print
Framed • 8x12 inches

Buy now for

Compact Size

Compact Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Framed Print
Framed • 12x18 inches

Buy now for

Medium Size

Medium Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Framed Print
Framed • 16x24 inches

Buy now for

Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Canvas Framed Print
Framed • 20x30 inches

Not available

Small Size

Small Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Framed Print
Framed With Mat • 8x12 inches

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Compact Size

Compact Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Framed Print
Framed With Mat • 12x18 inches

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Medium Size

Medium Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Framed Print
Framed With Mat • 16x24 inches

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Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Framed Print
Framed With Mat • 20x30 inches

Not available

Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Poster
Rolled • 24x30 inches

Not available

Large Size

Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Poster
Framed • 24x30 inches

Not available

X-Large Size

X-Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Large Canvas Print
Rolled • 24x36 inches

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X-Large Size

X-Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Large Canvas Print
Wrapped • 24x36 inches

Not available

X-Large Size

X-Large Size

Norman Rockwel - Blacksmith's Boy – Heel And Toe (Detail I) Large Framed Print
Framed With Mat • 24x36 inches

Not available

Norman Rockwell once said he envied students who swooned when viewing the Mona Lisa because he never felt such passion. Rockwell may have seen himself as a more analytical artist, such as the one examining a seventeenth-century Dutch painting in his 1955 Art Critic. His original draft depicts a student studying painter Frans Hals' technique in a portrait of a Dutch housewife. In that study, a Dutch landscape on an adjacent wall places the student in a gallery of Dutch artwork. But a recurring Rockwell theme - of reality and fantasy exchanging placesm - seems to have taken over and the painting changed course.   With typical humor, Rockwell replaces the homely woman with one more alluring - based on a Peter Paul Rubens' portrait of his wife. The Dutch landscape became a group of Dutch cavaliers, brought to life by animated facial expressions. They are wary and concerned. Is the student getting too close to the painting? Is he being too personal with their gallery colleague? The scene's movement from reality to fantasy refutes the view that Rockwell's work is only photographic.

A young talent, Norman Rockwell received his first commission at age 17.  By 1916, a 22-year-old Rockwell had painted his first cover for The Saturday Evening Post—the beginning of a 47-year and 321-cover relationship with the most prestigious magazine of the era. Rockwell's success stemmed to a large degree from his careful appreciation for everyday American scenes, the warmth of small-town life in particular. Often what he depicted was treated with a certain simple charm and sense of humour. He created World War II posters and received the Presidential Medal of Freedom in 1977.

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