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First exhibited at the 1905 Salon d'Automne in Paris, Women with a Hat (Femme au chapeau) was at the center of the controversy that led to the christening of the first modern art movement of the twentieth century - Fauvism. The term fauve ("wild beast"), coined by an art critic, became forever associated with the artists who exhibited their brightly colored canvases in the central gallery (dubbed the cage centrale) of the Grand Palais.

 

Femme au chapeau marked a stylistic change from the regulated brushstrokes of Matisse's earlier work to a more expressive individual style. His use of non-naturalistic colors and loose brushwork, which contributed to a sketchy or "unfinished" quality, seemed shocking to the viewers of the day.

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting

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Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Poster
Rolled • 12x17 inches

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Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Poster
Framed • 12x17 inches

Not available

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Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Art Print
Rolled • 9x12 inches

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Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Art Print
Rolled • 13x18 inches

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Medium Size

Medium Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Art Print
Rolled • 18x24 inches

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Small Size

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Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Rolled • 9x12 inches

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Small Size

Small Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Framed Print
Framed • 9x12 inches

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Small Size

Small Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Wrapped • 9x12 inches

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Medium Size

Medium Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Rolled • 18x24 inches

Buy now for

Compact Size

Compact Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Rolled • 13x18 inches

Buy now for

Compact Size

Compact Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Wrapped • 13x18 inches

Buy now for

Compact Size

Compact Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Framed Print
Framed • 13x18 inches

Buy now for

BEST SELLER
Medium Size

Medium Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Print
Wrapped • 18x24 inches

Buy now for

BEST SELLER
Medium Size

Medium Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Canvas Framed Print
Framed • 18x24 inches

Buy now for

Small Size

Small Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Framed Print
Framed with Mat • 9x12 inches

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Compact Size

Compact Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Framed Print
Framed with Mat • 13x18 inches

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BEST SELLER
Medium Size

Medium Size

Woman With A Hat (Femme, à, chapeau) 1905 – Henri Matisse Painting Framed Print
Framed with Mat • 18x24 inches

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First exhibited at the 1905 Salon d'Automne in Paris, Women with a Hat (Femme au chapeau) was at the center of the controversy that led to the christening of the first modern art movement of the twentieth century - Fauvism. The term fauve ("wild beast"), coined by an art critic, became forever associated with the artists who exhibited their brightly colored canvases in the central gallery (dubbed the cage centrale) of the Grand Palais.   Femme au chapeau marked a stylistic change from the regulated brushstrokes of Matisse's earlier work to a more expressive individual style. His use of non-naturalistic colors and loose brushwork, which contributed to a sketchy or "unfinished" quality, seemed shocking to the viewers of the day.

Widely regarded as the greatest colourist and along with Picasso, as one of the artists who best helped to define and influence radical contemporary art in the 20th century, Henri-Emile-Benoit Matisse (1869-1954) was known for both his excellent use of colour and form of his Fauvist style.   Matisse's art continues to beguile not only artists, but also collectors and as several recent and upcoming blockbuster exhibitions suggest, he continues to be a favourite of the public worldwide.

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