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This woman is without doubt Agostina Segatori (1843-1910), a former model of Corot, Gérôme and Manet with whom Van Gogh seems to have had a brief love affair a few months before this portrait was painted. During his time in Paris, between March 1886 and February 1888, he was initiated into the scientific color-theories developed by the Neo-impressionists. He was also profoundly interested in Japanese etchings, and in this portrait, Van Gogh offers a very personal synthesis of these two influences.
Several elements are reminiscent of Japanese prints: the asymmetrical border, the stylization of the character in a portrait with neither shadows nor perspective, the monochrome background… But instead of the refined touch of Eastern aesthetics Van Gogh employs an energetic treatment, which results in an impression of almost primitive might.

The Italian Woman 1887

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The Italian Woman 1887 Poster
Rolled • - 12x17 inches

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The Italian Woman 1887 Poster
Framed • - 12x17 inches

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Small Size

The Italian Woman 1887 Art Print
Rolled • 9x12 inches

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The Italian Woman 1887 Art Print
Rolled • 13x18 inches

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Medium Size

The Italian Woman 1887 Art Print
Rolled • 18x24 inches

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The Italian Woman 1887 Art Print
Rolled • 22x30 inches

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Small Size

Small Size

The Italian Woman 1887 Canvas Print
Rolled • 9x12 inches

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Compact Size

Compact Size

The Italian Woman 1887 Canvas Print
Rolled • 13x18 inches

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Medium Size

Medium Size

The Italian Woman 1887 Canvas Print
Rolled • 18x24 inches

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Large Size

Large Size

The Italian Woman 1887 Canvas Print
Rolled • 22x30 inches

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Small Size

Small Size

The Italian Woman 1887 Canvas Print
Wrapped • 9x12 inches

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Compact Size

Compact Size

The Italian Woman 1887 Canvas Print
Wrapped • 13x18 inches

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Medium Size

Medium Size

The Italian Woman 1887 Canvas Print
Wrapped • 18x24 inches

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Large Size

Large Size

The Italian Woman 1887 Canvas Print
Wrapped • 22x30 inches

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Small Size

Small Size

The Italian Woman 1887 Canvas Framed Print
Framed • 9x12 inches

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Compact Size

Compact Size

The Italian Woman 1887 Canvas Framed Print
Framed • 13x18 inches

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Medium Size

Medium Size

The Italian Woman 1887 Canvas Framed Print
Framed • 18x24 inches

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Large Size

Large Size

The Italian Woman 1887 Canvas Framed Print
Framed • 22x30 inches

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Small Size

Small Size

The Italian Woman 1887 Framed Print
Framed With Mat • 9x12 inches

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Compact Size

Compact Size

The Italian Woman 1887 Framed Print
Framed With Mat • 13x18 inches

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Medium Size

Medium Size

The Italian Woman 1887 Framed Print
Framed With Mat • 18x24 inches

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Large Size

Large Size

The Italian Woman 1887 Framed Print
Framed With Mat • 22x30 inches

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Large Size

Large Size

The Italian Woman 1887 Poster
Rolled • 24x30 inches

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Large Size

Large Size

The Italian Woman 1887 Poster
Framed • 24x30 inches

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X-Large Size

X-Large Size

The Italian Woman 1887 Large Canvas Print
Rolled • 26x36 inches

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XX-Large Size

XX-Large Size

The Italian Woman 1887 Large Canvas Print
Rolled • 36x49 inches

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Oversize

Oversize

The Italian Woman 1887 Large Canvas Print
Rolled • 48x66 inches

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X-Large Size

X-Large Size

The Italian Woman 1887 Large Canvas Print
Wrapped • 26x36 inches

Not available

XX-Large Size

XX-Large Size

The Italian Woman 1887 Large Canvas Print
Wrapped • 36x49 inches

Not available

Oversize

Oversize

The Italian Woman 1887 Large Canvas Print
Wrapped • 48x66 inches

Not available

X-Large Size

X-Large Size

The Italian Woman 1887 Large Framed Print
Framed With Mat • 26x36 inches

Not available

XX-Large Size

XX-Large Size

The Italian Woman 1887 Large Framed Print
Framed With Mat • 36x49 inches

Not available

Oversize

Oversize

The Italian Woman 1887 Large Framed Print
Framed With Mat • 48x66 inches

Not available

This woman is without doubt Agostina Segatori (1843-1910), a former model of Corot, Gérôme and Manet with whom Van Gogh seems to have had a brief love affair a few months before this portrait was painted. During his time in Paris, between March 1886 and February 1888, he was initiated into the scientific color-theories developed by the Neo-impressionists. He was also profoundly interested in Japanese etchings, and in this portrait, Van Gogh offers a very personal synthesis of these two influences.Several elements are reminiscent of Japanese prints: the asymmetrical border, the stylization of the character in a portrait with neither shadows nor perspective, the monochrome background… But instead of the refined touch of Eastern aesthetics Van Gogh employs an energetic treatment, which results in an impression of almost primitive might.

Vincent van Gogh (1853-90) was a Dutch Post-Impressionist painter whose work had a far-reaching influence on 20th-century art. In just over a decade, he produced more than 2,100 artworks but received little recognition during his lifetime. Van Gogh was unsuccessful during his lifetime and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood and tortured genius artist.

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