Blind Mother (Mutter Mit Zwei Kindern) - Egon Schiele - Framed Prints
100 Rs
Egon Schiele (1890 – 1918) was an Austrian painter and a protégé of Gustav Klimt. Egon Schiele was the 'enfant terrible' of the Viennese avant-garde.
Schiele's Expressionist figurative works on themes like budding sexuality, death and decay scandalised early 20th-century Vienna. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.
The Leopold Museum, Vienna houses Schiele's most important and complete collection of work.
View Artist CollectionFramed With Mat
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Small Framed Print
12x10 inches
Framed With Mat
Compact Framed Print
18x14 inches
Framed With Mat
Medium Framed Print
24x19 inches
Framed With Mat
Large Framed Print
30x24 inches
Framed With Mat
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About Blind Mother (Mutter Mit Zwei Kindern) Egon Schiele
Egon Schiele was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including nude self-portraits. Schiele was regarded as a strange child. Shy and reserved, he did poorly at school except in athletics and drawing,and was usually in classes made up of younger pupils.Schiele sought out Gustav Klimt, who generously mentored younger artists. Klimt took a particular interest in the young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons.About the Framed Prints
Blind Mother (Mutter Mit Zwei Kindern) - Egon Schiele by Egon Schiele. Bring your print to life with three different frame colors. Each framed print comes with equal sized mat that adds a depth perspective to the entire image and a protective glass covering. Our frame prints are assembled, packaged, and shipped by our expert framing staff and shipped within 3 days in "ready to hang" condition with pre-attached mounting points.
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