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One of a series of fourteen works painted between February and April, Boulevard Montmartre: Spring epitomizes Pissarro's ability to seize unique moments, such as a specific hour or season. From his hotel room overlooking the boulevard, he captured the life and movement of the street in small, rapid brushstrokes. Pissarro considered his work very modern in conception: "I am delighted to be able to paint these Paris streets that people have come to call ugly, but which are so silvery, so luminous and vital." |
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Boulevard Montmartre, Spring Large Framed Print
Framed With Mat •
36x29 inches
Boulevard Montmartre, Spring Large Framed Print
Framed With Mat •
45x36 inches
One of a series of fourteen works painted between February and April, Boulevard Montmartre: Spring epitomizes Pissarro's ability to seize unique moments, such as a specific hour or season. From his hotel room overlooking the boulevard, he captured the life and movement of the street in small, rapid brushstrokes. Pissarro considered his work very modern in conception: "I am delighted to be able to paint these Paris streets that people have come to call ugly, but which are so silvery, so luminous and vital."
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
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