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The subject of this painting is an episode from Suetonius's 'Life' of the Emperor Caligula. Confounding a prediction that he would no more become emperor than ride across the Gulf of Baiae with horses, Caligula constructed an artificial floating bridge of boats which he then crossed with a chariot. Following popular accounts, Turner has depicted the bridge as a solid construction. It has, however, like the adjacent palace, fallen into ruin and decay. |
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Caligula's Palace and Bridge Large Framed Print
Framed With Mat •
36x20 inches
Caligula's Palace and Bridge Large Framed Print
Framed With Mat •
65x36 inches
Caligula's Palace and Bridge Large Framed Print
Framed With Mat •
87x48 inches
The subject of this painting is an episode from Suetonius's 'Life' of the Emperor Caligula. Confounding a prediction that he would no more become emperor than ride across the Gulf of Baiae with horses, Caligula constructed an artificial floating bridge of boats which he then crossed with a chariot. Following popular accounts, Turner has depicted the bridge as a solid construction. It has, however, like the adjacent palace, fallen into ruin and decay.
Joseph Mallord William Turner RA known as J. M. W. Turner and contemporarily as William Turner, was an English Romantic painter, printmaker and watercolourist, known for his expressive colourisation, imaginative landscapes and turbulent, often violent marine paintings.
Turner was born in Maiden Lane, Covent Garden, London, to a modest lower middle-class family. Intensely private, eccentric and reclusive, Turner was a controversial figure throughout his career. He left behind over 2,000 paintings and 19,000 drawings and sketches. He had been championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivaling history painting.
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