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"Franzi In Front Of A Carved Chair", one of the most popular paitings by the Expressionist artist Ernst Ludwig Kirchner, who was among the founders of the artists group Die Brücke or "The Bridge", is one of the finest examples of the Expressionist style of the German group Die Brücke, characterised by the simplification of form and the arbitrary use of colour.


Here, Fränzi, who modelled for a number of portraits by Kirchner and other members of the group, sits on a chair whose back has been carved into the shape of a naked woman. The girl stares defiantly at the viewer as the intense green of her face, defined by thick, unnaturalistic brushstrokes, contrasts sharply with the pink flesh tones of the female figure that frames her.

Franzi In Front Of A Carved Chair

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Franzi In Front Of A Carved Chair Poster
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Franzi In Front Of A Carved Chair Poster
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Franzi In Front Of A Carved Chair Art Print
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Franzi In Front Of A Carved Chair Art Print
Rolled • 13x18 inches

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Franzi In Front Of A Carved Chair Art Print
Rolled • 17x24 inches

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Franzi In Front Of A Carved Chair Art Print
Rolled • 22x30 inches

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Franzi In Front Of A Carved Chair Canvas Print
Rolled • 9x12 inches

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Franzi In Front Of A Carved Chair Canvas Print
Wrapped • 9x12 inches

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Franzi In Front Of A Carved Chair Canvas Framed Print
Framed • 9x12 inches

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Franzi In Front Of A Carved Chair Canvas Print
Rolled • 13x18 inches

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Medium Size

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Franzi In Front Of A Carved Chair Canvas Print
Rolled • 17x24 inches

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Large Size

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Franzi In Front Of A Carved Chair Canvas Print
Rolled • 22x30 inches

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Compact Size

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Franzi In Front Of A Carved Chair Canvas Print
Wrapped • 13x18 inches

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Compact Size

Compact Size

Franzi In Front Of A Carved Chair Canvas Framed Print
Framed • 13x18 inches

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Medium Size

Medium Size

Franzi In Front Of A Carved Chair Canvas Print
Wrapped • 17x24 inches

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Medium Size

Medium Size

Franzi In Front Of A Carved Chair Canvas Framed Print
Framed • 17x24 inches

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Large Size

Large Size

Franzi In Front Of A Carved Chair Canvas Print
Wrapped • 22x30 inches

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Franzi In Front Of A Carved Chair Canvas Framed Print
Framed • 22x30 inches

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Franzi In Front Of A Carved Chair Framed Print
Framed with Mat • 9x12 inches

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Compact Size

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Franzi In Front Of A Carved Chair Framed Print
Framed with Mat • 13x18 inches

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Medium Size

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Franzi In Front Of A Carved Chair Framed Print
Framed with Mat • 17x24 inches

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Franzi In Front Of A Carved Chair Framed Print
Framed with Mat • 22x30 inches

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Franzi In Front Of A Carved Chair Poster
Rolled • Life Size 24X33 inches

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Franzi In Front Of A Carved Chair Poster
Framed • Life Size 24X33 inches

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Franzi In Front Of A Carved Chair Large Canvas Print
Rolled • 26x36 inches

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Franzi In Front Of A Carved Chair Large Canvas Print
Rolled • 36x51 inches

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Franzi In Front Of A Carved Chair Large Canvas Print
Wrapped • 26x36 inches

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Franzi In Front Of A Carved Chair Large Framed Print
Framed With Mat • 26x36 inches

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XX-Large Size

XX-Large Size

Franzi In Front Of A Carved Chair Large Canvas Print
Wrapped • 36x51 inches

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XX-Large Size

XX-Large Size

Franzi In Front Of A Carved Chair Large Framed Print
Framed With Mat • 36x51 inches

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"Franzi In Front Of A Carved Chair", one of the most popular paitings by the Expressionist artist Ernst Ludwig Kirchner, who was among the founders of the artists group Die Brücke or "The Bridge", is one of the finest examples of the Expressionist style of the German group Die Brücke, characterised by the simplification of form and the arbitrary use of colour. Here, Fränzi, who modelled for a number of portraits by Kirchner and other members of the group, sits on a chair whose back has been carved into the shape of a naked woman. The girl stares defiantly at the viewer as the intense green of her face, defined by thick, unnaturalistic brushstrokes, contrasts sharply with the pink flesh tones of the female figure that frames her.

Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.   Kirchner believed that powerful forces - enlivening yet also destructive - dwelt beneath the veneer of Western civilization, and he believed that creativity offered a means of harnessing them.


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