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Harmony 1956 (Armonía) - Remedios Varo - Canvas Prints

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Remedios Varo

Remedios Varo - Spanish-Mexican artist who played an integral role in the Mexico City-based Surrealist movement.

 

Remedios is known for her enigmatic paintings of androgynous beings engaged in magic arts or the occult. Her paintings are populated with strange humans engaged in mystical and alchemical activity in dream-like atmospheres.

 

Varos' compositions also include architectural features that make direct reference to medieval art and show her expert draftsmanship.

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Rolled
Wrapped
Framed

Available Options In Canvas Prints

Small Canvas Framed Print


12x10 inches
Framed

Compact Canvas Framed Print


18x14 inches
Framed

Medium Canvas Framed Print


24x19 inches
Framed

Large Canvas Framed Print


30x24 inches
Framed
Not available for shipping
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About Harmony 1956 (Armonía) Remedios Varo
Remedios Varo, original name in full María de los Remedios Alicia Rodriga Varo y Uranga, Spanish-Mexican artist who played an integral role in the Mexico City-based Surrealist movement.   She is known for her enigmatic paintings of androgynous beings engaged in magic arts or the occult.her paintings are populated with strange humans engaged in mystical and alchemical activity in dreamlike atmospheres.   Her compositions also include architectural features that make direct reference to medieval art and show her expert draftsmanship. She was an admirer of Hiëronymus Bosch, whose mysterious compositions undoubtedly influenced her.
About the Canvas Prints
Harmony 1956 (Armonía) - Remedios Varo by Remedios Varo. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto our premium processed canvases and then stretched on a white maple wooden frame (gallery wrap) or framed inside black maple (framed canvas). Your canvas print will be shipped within 4 days in "ready to frame" condition for normal rolled and "ready to hang" condition for frames and wraps with pre-attached hanging wire and/or mounting points.

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