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This picture was painted shortly after Raphael's arrival in Florence and "was his fi rst attempt at the tondo format that was so popular in that city. The Madonna's face was much more confidently composed than in his three earlier Berlin paintings. Leonardo's influence is becoming stronger than Perugino's. Details like the extreme foreshortening of Mary's hand come from Leonardo, and possibly also the idea of showing the Christ Child with his legs crossed, although this pose could also derive from the Netherlands and a painter like Memling, for example, who is also echoed in the lavish attention paid to the landscape area. Northern aspects of the town featured more conspicuously in the under-drawing. A typically southern feature is the presence of holy children, above all the young John the Baptist.

Mary with the Child, John the Baptist and a Holy Boy

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Mary with the Child, John the Baptist and a Holy Boy Poster
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Mary with the Child, John the Baptist and a Holy Boy Poster
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Mary with the Child, John the Baptist and a Holy Boy Art Print
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Mary with the Child, John the Baptist and a Holy Boy Art Print
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Mary with the Child, John the Baptist and a Holy Boy Art Print
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Mary with the Child, John the Baptist and a Holy Boy Art Print
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Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Rolled • 12x12 inches

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Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Wrapped • 12x12 inches

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Small Size

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Mary with the Child, John the Baptist and a Holy Boy Canvas Framed Print
Framed • 12x12 inches

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Compact Size

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Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Rolled • 18x18 inches

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Medium Size

Medium Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Rolled • 24x24 inches

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Compact Size

Compact Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Wrapped • 18x18 inches

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Compact Size

Compact Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Framed Print
Framed • 18x18 inches

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Large Size

Large Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Rolled • 30x30 inches

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Medium Size

Medium Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Wrapped • 24x24 inches

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Medium Size

Medium Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Framed Print
Framed • 24x24 inches

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Large Size

Large Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Print
Wrapped • 30x30 inches

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Large Size

Large Size

Mary with the Child, John the Baptist and a Holy Boy Canvas Framed Print
Framed • 30x30 inches

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Small Size

Mary with the Child, John the Baptist and a Holy Boy Framed Print
Framed with Mat • 12x12 inches

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Compact Size

Compact Size

Mary with the Child, John the Baptist and a Holy Boy Framed Print
Framed with Mat • 18x18 inches

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Medium Size

Medium Size

Mary with the Child, John the Baptist and a Holy Boy Framed Print
Framed with Mat • 24x24 inches

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Mary with the Child, John the Baptist and a Holy Boy Framed Print
Framed with Mat • 30x30 inches

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Mary with the Child, John the Baptist and a Holy Boy Large Canvas Print
Rolled • 36x36 inches

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Mary with the Child, John the Baptist and a Holy Boy Large Canvas Print
Wrapped • 36x36 inches

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Mary with the Child, John the Baptist and a Holy Boy Large Canvas Print
Rolled • 48x48 inches

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Mary with the Child, John the Baptist and a Holy Boy Large Framed Print
Framed With Mat • 36x36 inches

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Mary with the Child, John the Baptist and a Holy Boy Large Canvas Print
Wrapped • 42x42 inches

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Oversize

Oversize

Mary with the Child, John the Baptist and a Holy Boy Large Framed Print
Framed With Mat • 48x48 inches

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This picture was painted shortly after Raphael's arrival in Florence and "was his fi rst attempt at the tondo format that was so popular in that city. The Madonna's face was much more confidently composed than in his three earlier Berlin paintings. Leonardo's influence is becoming stronger than Perugino's. Details like the extreme foreshortening of Mary's hand come from Leonardo, and possibly also the idea of showing the Christ Child with his legs crossed, although this pose could also derive from the Netherlands and a painter like Memling, for example, who is also echoed in the lavish attention paid to the landscape area. Northern aspects of the town featured more conspicuously in the under-drawing. A typically southern feature is the presence of holy children, above all the young John the Baptist.

Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Raphael was enormously productive, running an unusually large workshop and, despite his early death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome, much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking.

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