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Mystic Crucifixion - Framed Prints

Framed Prints by Sandro Botticelli Paintings View Artist Collection View Artwork Page

1,150 Rs

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Alessandro di Mariano di Vanni Filipepi, most commonly known as Sandro Botticelli, was one of the greatest Italian painters of the Florentine Renaissance. His The Birth of Venus and Primavera are often said to epitomize for modern viewers the spirit of the Renaissance.

During his lifetime he was one of the most acclaimed painters in Italy, being summoned to take part in the decoration of the Sistine Chapel in Rome and earning the patronage of the leading families of Florence, including the Medici.

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Framed with Mat

Available Options In Framed Prints

Small Framed Print

8x12 inches
Framed with Mat

Compact Framed Print

13x18 inches
Framed with Mat

Medium Framed Print

17x24 inches
Framed with Mat

Large Framed Print

21x30 inches
Framed with Mat
Not available for shipping

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About Mystic Crucifixion

"Mystic Crucifixion" is a famous painting by Sandro Botticelli that features some pretty unusual iconography: firebrands and weapons rain down from dark storm clouds, and at the foot of the cross an angel is about to slay some kind of mammalian creature. The painting is a response to the sermons of Dominican preacher Girolamo Savonarola, who throughout the 1490s prophesied destruction for Florence if the city did not turn from its wicked ways; an angel holds a lion (symbol of Florence) by the foot, about to execute judgement by sword. The painting offers a message of hope. God seems to be pushing the darkness away, sending shields into the fray in defense of the city.

About the Framed Prints

Mystic Crucifixion by Sandro Botticelli. Bring your print to life with three different frame colors. Each framed print comes with equal sized mat that adds a depth perspective to the entire image and a protective glass covering. Our frame prints are assembled, packaged, and shipped by our expert framing staff and shipped within 3 days in "ready to hang" condition with pre-attached mounting points.

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