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Rudolf Schlichter was a German Dada artist and a leading figure of Germany’s New Objectivity movement. Often working in watercolor, Schlichter depicted the raucous urban life of Berlin between wars, featuring prostitutes, corrupt politicians, and bohemian artists.

 

The artist’s attention quickly shifted to the burgeoning New Objectivity movement, culminating in his Portrait of Margot (1924), a confrontational portrait of a woman standing on the street smoking a cigarette, presaging the photojournalist style of Henri Cartier-Bresson and Robert Doisneau. In 1925, he participated in the inaugural New Objectivity group show, and by 1937 was declared a “degenerate artist” by the Nazi regime. His studio was later destroyed in an Allied bombing raid, and Schlichter died on May 3, 1955 in Munich, Germany.

Portrait of an Oriental Journalist – Rudolf Schlicter

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Portrait of an Oriental Journalist – Rudolf Schlicter Art Print
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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Rolled • 12x18 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Framed Print
Framed • 8x12 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Wrapped • 8x12 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Rolled • 16x24 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Wrapped • 12x18 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Framed Print
Framed • 12x18 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Rolled • 21x30 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Wrapped • 16x24 inches

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Medium Size

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Framed Print
Framed • 16x24 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Print
Wrapped • 21x30 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Canvas Framed Print
Framed • 21x30 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Framed Print
Framed with Mat • 8x12 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Framed Print
Framed with Mat • 12x18 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Framed Print
Framed with Mat • 16x24 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Framed Print
Framed with Mat • 21x30 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Poster
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Portrait of an Oriental Journalist – Rudolf Schlicter Poster
Framed • Life Size 24X33 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Large Canvas Print
Rolled • 25x36 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Large Canvas Print
Wrapped • 25x36 inches

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Portrait of an Oriental Journalist – Rudolf Schlicter Large Framed Print
Framed With Mat • 25x36 inches

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Rudolf Schlichter was a German Dada artist and a leading figure of Germany’s New Objectivity movement. Often working in watercolor, Schlichter depicted the raucous urban life of Berlin between wars, featuring prostitutes, corrupt politicians, and bohemian artists.   The artist’s attention quickly shifted to the burgeoning New Objectivity movement, culminating in his Portrait of Margot (1924), a confrontational portrait of a woman standing on the street smoking a cigarette, presaging the photojournalist style of Henri Cartier-Bresson and Robert Doisneau. In 1925, he participated in the inaugural New Objectivity group show, and by 1937 was declared a “degenerate artist” by the Nazi regime. His studio was later destroyed in an Allied bombing raid, and Schlichter died on May 3, 1955 in Munich, Germany.

  Rudolf Schlichter (1890-1955) was a German Dada artist and a leading figure of Germany’s New Objectivity movement.   The artist’s attention shifted from the Dadaist movement to the burgeoning New Objectivity movement, culminating in his Portrait of Margot (1924), a confrontational portrait of a woman standing on the street smoking a cigarette, presaging the photojournalist style of Henri Cartier-Bresson. Rudolph Schlichter's final works were bent towards Surrealism.   In 1937, Rudolf was declared a “degenerate artist” by the Nazi regime. 

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