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“Still Life with Gingerpot I” by Piet Mondrian a Dutch painter that revolutionized the history of art through his cubistic works which are characterized through his use of red, yellow and blue in his paintings. Still Life with Gingerpot I Mondrian began to employ such avant-garde techniques as passage (brushwork that continues beyond the designated edges of objects) and a generally looser handling of paint. Although muted, the palette of Still Life with Gingerpot I repeats the buoyant blues and roses of Mondrian’s earlier works, as well as their more naturalistic style of representation, exemplified by the retention of traditional perspective and the coherent integrity of the components of the still life such as the glass and saucepan. |
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Still Life With Gingerpot I Large Framed Print
Framed With Mat •
36x31 inches
Still Life With Gingerpot I Large Framed Print
Framed With Mat •
42x36 inches
Still Life With Gingerpot I Large Framed Print
Framed With Mat •
56x48 inches
“Still Life with Gingerpot I” by Piet Mondrian a Dutch painter that revolutionized the history of art through his cubistic works which are characterized through his use of red, yellow and blue in his paintings. Still Life with Gingerpot I Mondrian began to employ such avant-garde techniques as passage (brushwork that continues beyond the designated edges of objects) and a generally looser handling of paint. Although muted, the palette of Still Life with Gingerpot I repeats the buoyant blues and roses of Mondrian’s earlier works, as well as their more naturalistic style of representation, exemplified by the retention of traditional perspective and the coherent integrity of the components of the still life such as the glass and saucepan.
Piet Mondrian (7 March 1872 – 1 February 1944), was a Dutch painter. He was a contributor to the De Stijl art movement and group. Mondrian evolved a non-representational form which he termed neoplasticism.
This consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors.
Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.
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