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"The Invisible Man" by Salvador Dali is a very popular painting by the artist. This was the first painting in which Dalí began to use the double images that were to flood his work over the next decade, during his “paranoia-critical” period. The double images used here are not as successful as the later painting, Swans Reflecting Elephants (1937). The viewer is aware of the illusions that Dalí is creating before they are aware of what the overall form is meant to be.


The yellow clouds become the man’s hair; his face and upper torso are formed by ruined architecture that is scattered in the landscape and a waterfall creates the vague outline of his legs. As with almost all Dalí’s work in 1929, this painting deals with his fear of sex. The recurring image of the “jug woman” appears on the left of the picture. To the right of her is an object with a womb shape, part of which delineates the right arm of the man. The dark shape outlining the fingers and legs of the man suggests the female form. Beneath the man a wild beast is prowling - another of Dalí’s recurring sexual symbols.

The Invisible Man

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The Invisible Man Poster
Rolled • 12x17 inches

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Framed • 12x17 inches

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The Invisible Man Art Print
Rolled • 7x12 inches

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The Invisible Man Art Print
Rolled • 10x18 inches

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The Invisible Man Art Print
Rolled • 14x24 inches

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The Invisible Man Art Print
Rolled • 17x30 inches

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The Invisible Man Canvas Print
Rolled • 7x12 inches

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The Invisible Man Canvas Print
Rolled • 10x18 inches

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The Invisible Man Canvas Framed Print
Framed • 7x12 inches

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The Invisible Man Canvas Print
Wrapped • 7x12 inches

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The Invisible Man Canvas Print
Rolled • 14x24 inches

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The Invisible Man Canvas Print
Wrapped • 10x18 inches

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Large Size

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The Invisible Man Canvas Print
Rolled • 17x30 inches

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The Invisible Man Canvas Framed Print
Framed • 10x18 inches

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The Invisible Man Canvas Print
Wrapped • 14x24 inches

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The Invisible Man Canvas Framed Print
Framed • 14x24 inches

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Large Size

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The Invisible Man Canvas Print
Wrapped • 17x30 inches

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The Invisible Man Canvas Framed Print
Framed • 17x30 inches

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The Invisible Man Framed Print
Framed with Mat • 7x12 inches

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The Invisible Man Framed Print
Framed with Mat • 10x18 inches

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Medium Size

Medium Size

The Invisible Man Framed Print
Framed with Mat • 14x24 inches

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The Invisible Man Framed Print
Framed with Mat • 17x30 inches

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The Invisible Man Poster
Rolled • Life Size 24X33 inches

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The Invisible Man Poster
Framed • Life Size 24X33 inches

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The Invisible Man Large Canvas Print
Rolled • 21x36 inches

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The Invisible Man Large Canvas Print
Wrapped • 21x36 inches

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The Invisible Man Large Framed Print
Framed With Mat • 21x36 inches

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"The Invisible Man" by Salvador Dali is a very popular painting by the artist. This was the first painting in which Dalí began to use the double images that were to flood his work over the next decade, during his “paranoia-critical” period. The double images used here are not as successful as the later painting, Swans Reflecting Elephants (1937). The viewer is aware of the illusions that Dalí is creating before they are aware of what the overall form is meant to be. The yellow clouds become the man’s hair; his face and upper torso are formed by ruined architecture that is scattered in the landscape and a waterfall creates the vague outline of his legs. As with almost all Dalí’s work in 1929, this painting deals with his fear of sex. The recurring image of the “jug woman” appears on the left of the picture. To the right of her is an object with a womb shape, part of which delineates the right arm of the man. The dark shape outlining the fingers and legs of the man suggests the female form. Beneath the man a wild beast is prowling - another of Dalí’s recurring sexual symbols.

The Spanish painter Salvador Dali remains one of the most controversial and paradoxical artists of the twentieth century. Over last few decades, Salvador Dali has gradually come to be seen, alongside the likes of Picasso and Matisse, as a prodigious figure whose life and work occupies a central and unique position in the history of modern art.   Dali has also come to be regarded not only as its most well-known exponent but also, to many people, as an individual artist synonymous with Surrealism itself. In addition, Dali was a great artist who was a great self-publicist and showman. The combination was an irresistible formula for success.

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