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The viewer cannot but sense the soldiers’ brutal downward thrust as they force the thorns into his flesh and bone. Yet Christ’s shoulders remain upright.  His posture is one of dignity. But his condition as a victim is seen in the way his head is thrust forward and his neck stretched out.  Caravaggio uses the play of light and shadow to focus us upon Christ’s neck and shoulders and therefore upon him as a victim. The white feather and the highlights on the suit of armour contrast with Christ’s exposed white skin. The man in armour is obviously in charge of the brutal procedure.  His armour renders him invulnerable. It gleams in the light and contrasts with the bare shoulders of the other three. Christ is naked except for his cloak. The blood is splattered on his bared chest reminds the viewer that the red cloak hides the open wounds on his back. 

Caravaggio uses hands to further underline express the imbalance in power.  You can see that Christ’s hands are bound so that he must hold the makeshift sceptre between his fingers. The hand of the man wearing armour is not very far from Christ’s hands.   Notice that the man merely rests his handoff the ledge.  His hand does not take his weight. The hands of the soldiers have become fists as they exert great force.  He achieves a similar expression by contrasting the crown of thorns in the headgear of the other three.  From the white feather on the left, there begins what is a continuous line of light moving left to right and back again forming a kind of halo behind Christ’s head. At the centre of this image is Christ as the innocent victim of a brutal act but who, nonetheless, can retain a quiet dignity.

Art By Caravaggio
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The Crowning with Thorns - Caravaggio

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The Crowning with Thorns - Caravaggio Poster
Rolled • - 17x12 inches

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The Crowning with Thorns - Caravaggio Poster
Framed • - 17x12 inches

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The Crowning with Thorns - Caravaggio Art Print
Rolled • 12x9 inches

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The Crowning with Thorns - Caravaggio Art Print
Rolled • 18x14 inches

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The Crowning with Thorns - Caravaggio Art Print
Rolled • 24x18 inches

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The Crowning with Thorns - Caravaggio Art Print
Rolled • 30x23 inches

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The Crowning with Thorns - Caravaggio Canvas Print
Rolled • 12x9 inches

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Compact Size

The Crowning with Thorns - Caravaggio Canvas Print
Rolled • 18x14 inches

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Medium Size

Medium Size

The Crowning with Thorns - Caravaggio Canvas Print
Rolled • 24x18 inches

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Large Size

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The Crowning with Thorns - Caravaggio Canvas Print
Rolled • 30x23 inches

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Small Size

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The Crowning with Thorns - Caravaggio Canvas Print
Wrapped • 12x9 inches

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Compact Size

Compact Size

The Crowning with Thorns - Caravaggio Canvas Print
Wrapped • 18x14 inches

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Medium Size

Medium Size

The Crowning with Thorns - Caravaggio Canvas Print
Wrapped • 24x18 inches

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Large Size

Large Size

The Crowning with Thorns - Caravaggio Canvas Print
Wrapped • 30x23 inches

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Small Size

Small Size

The Crowning with Thorns - Caravaggio Canvas Framed Print
Framed • 12x9 inches

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Compact Size

Compact Size

The Crowning with Thorns - Caravaggio Canvas Framed Print
Framed • 18x14 inches

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Medium Size

Medium Size

The Crowning with Thorns - Caravaggio Canvas Framed Print
Framed • 24x18 inches

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Large Size

Large Size

The Crowning with Thorns - Caravaggio Canvas Framed Print
Framed • 30x23 inches

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The Crowning with Thorns - Caravaggio Framed Print
Framed With Mat • 12x9 inches

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Compact Size

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The Crowning with Thorns - Caravaggio Framed Print
Framed With Mat • 18x14 inches

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Medium Size

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The Crowning with Thorns - Caravaggio Framed Print
Framed With Mat • 24x18 inches

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Large Size

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The Crowning with Thorns - Caravaggio Framed Print
Framed With Mat • 30x23 inches

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Large Size

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The Crowning with Thorns - Caravaggio Poster
Rolled • 30x24 inches

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Large Size

Large Size

The Crowning with Thorns - Caravaggio Poster
Framed • 30x24 inches

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The Crowning with Thorns - Caravaggio Large Canvas Print
Rolled • 36x27 inches

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The Crowning with Thorns - Caravaggio Large Canvas Print
Rolled • 48x36 inches

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Oversize

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The Crowning with Thorns - Caravaggio Large Canvas Print
Rolled • 64x48 inches

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X-Large Size

X-Large Size

The Crowning with Thorns - Caravaggio Large Canvas Print
Wrapped • 36x27 inches

Not available

XX-Large Size

XX-Large Size

The Crowning with Thorns - Caravaggio Large Canvas Print
Wrapped • 48x36 inches

Not available

Oversize

Oversize

The Crowning with Thorns - Caravaggio Large Canvas Print
Wrapped • 64x48 inches

Not available

X-Large Size

X-Large Size

The Crowning with Thorns - Caravaggio Large Framed Print
Framed With Mat • 36x27 inches

Not available

XX-Large Size

XX-Large Size

The Crowning with Thorns - Caravaggio Large Framed Print
Framed With Mat • 48x36 inches

Not available

Oversize

Oversize

The Crowning with Thorns - Caravaggio Large Framed Print
Framed With Mat • 64x48 inches

Not available

The viewer cannot but sense the soldiers’ brutal downward thrust as they force the thorns into his flesh and bone. Yet Christ’s shoulders remain upright.  His posture is one of dignity. But his condition as a victim is seen in the way his head is thrust forward and his neck stretched out.  Caravaggio uses the play of light and shadow to focus us upon Christ’s neck and shoulders and therefore upon him as a victim. The white feather and the highlights on the suit of armour contrast with Christ’s exposed white skin. The man in armour is obviously in charge of the brutal procedure.  His armour renders him invulnerable. It gleams in the light and contrasts with the bare shoulders of the other three. Christ is naked except for his cloak. The blood is splattered on his bared chest reminds the viewer that the red cloak hides the open wounds on his back.  Caravaggio uses hands to further underline express the imbalance in power.  You can see that Christ’s hands are bound so that he must hold the makeshift sceptre between his fingers. The hand of the man wearing armour is not very far from Christ’s hands.   Notice that the man merely rests his handoff the ledge.  His hand does not take his weight. The hands of the soldiers have become fists as they exert great force.  He achieves a similar expression by contrasting the crown of thorns in the headgear of the other three.  From the white feather on the left, there begins what is a continuous line of light moving left to right and back again forming a kind of halo behind Christ’s head. At the centre of this image is Christ as the innocent victim of a brutal act but who, nonetheless, can retain a quiet dignity.

Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting.

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