Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting. View Artist Collection
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18x14 inches Rolled
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24x18 inches Rolled
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30x23 inches Rolled
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12x9 inches Wrapped
Compact Canvas Print
18x14 inches Wrapped
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24x18 inches Wrapped
Large Canvas Print
30x23 inches Wrapped Not available for shipping
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12x9 inches Framed
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18x14 inches Framed
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24x18 inches Framed
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30x23 inches Framed Not available for shipping
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About The Crowning with Thorns Caravaggio
The viewer cannot but sense the soldiers’ brutal downward thrust as they force the thorns into his flesh and bone. Yet Christ’s shoulders remain upright. His posture is one of dignity. But his condition as a victim is seen in the way his head is thrust forward and his neck stretched out. Caravaggio uses the play of light and shadow to focus us upon Christ’s neck and shoulders and therefore upon him as a victim. The white feather and the highlights on the suit of armour contrast with Christ’s exposed white skin. The man in armour is obviously in charge of the brutal procedure. His armour renders him invulnerable. It gleams in the light and contrasts with the bare shoulders of the other three. Christ is naked except for his cloak. The blood is splattered on his bared chest reminds the viewer that the red cloak hides the open wounds on his back. Caravaggio uses hands to further underline express the imbalance in power. You can see that Christ’s hands are bound so that he must hold the makeshift sceptre between his fingers. The hand of the man wearing armour is not very far from Christ’s hands. Notice that the man merely rests his handoff the ledge. His hand does not take his weight. The hands of the soldiers have become fists as they exert great force. He achieves a similar expression by contrasting the crown of thorns in the headgear of the other three. From the white feather on the left, there begins what is a continuous line of light moving left to right and back again forming a kind of halo behind Christ’s head. At the centre of this image is Christ as the innocent victim of a brutal act but who, nonetheless, can retain a quiet dignity.
About the Canvas Prints
The Crowning with Thorns - Caravaggio by Caravaggio. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto our premium processed canvases and then stretched on a white maple wooden frame (gallery wrap) or framed inside black maple (framed canvas). Your canvas print will be shipped within 4 days in "ready to frame" condition for normal rolled and "ready to hang" condition for frames and wraps with pre-attached hanging wire and/or mounting points.